Tag Archives: Leonardo da Vinci

Leonardo’s Lost Painting – Or Is it?


isabellaeste[1]Recently in the art news has been the discovery of a painting which many believe to be a lost Leonardo.  It was found in the Swiss bank vault of an Italian family who’s own collection consists of over 400 works.  If it is truly a painting done by Leonardo da Vinci, it would be over 500 years old and worth tens of millions of dollars!  The subject of the painting is Isabella d’Este, a famous noblewoman from Mantua, whom it is known that Leonardo had worked for.  She had commissioned him to do a sketch and that actual pencil sketch currently sits in the Louvre.  It is believed that she also asked him to paint the portrait, but that painting had never been found.  As art historians know, Leonardo had the habit of starting a project and not completing it – therefore, the fact that this painting was missing was not that surprising (because they questioned whether it had ever existed!)  So it’s discovery 3 years ago in Switzerland caused a great uproar within the art community.  Many believe that it is truly the lost painting and realize it’s great value. It’s pigments and primers were scientifically tested and found to be identical to those used by the great artist.  But the skepticism arises in the fact that this painting was done on canvas – Leonardo preferred to paint on wooden boards.

I think the similarities between the sketch and the painting are incredible, but that’s just because I am not an artist and anything that looks close to the original looks real to me!  But I guess if you’re talented enough, you can reproduce the piece and make it look real….how will they ever be sure?

Il Cenacolo – Da Vinci’s Last Supper


As I get ready to launch details for Treasures of Piedmont and Italy’s Northern Lakes, the tour I will be hosting to Italy next September, I thought some in-depth posts about some of the “treasures” we will be seeing would be appropriate.

The first day of the tour will feature the highlights of Milan, one of which is Leonardo Da Vinci’s great masterpiece, The Last Supper.



The fresco is painted on the wall of the refectory (or monk’s dining hall) in the church of Santa Maria delle Grazie.




At the time that Leonardo painted it, it was not a dining hall but a mausoleum for the Sforza family. Eventually, it became a refectory and when that happened, the monks cut a doorway into the wall on which this fresco was painted (probably as a short cut to the kitchen!) By doing this, they wiped out the feet of Christ! Over the years, the doorway has been closed up, but the permanent damage has been done to this great work.

See the plastered up door way frame under the "table"

See the plastered up door way frame under the “table”

The fresco has had its problems since the beginning, when in 1495, Leonardo Da Vinci was commissioned by his patron, Ludovico Sforza, to paint a wall in what was to be the family mausoleum. It took Leonardo several years to complete this project (as he was known to walk away from his works for long periods) and it was not painted as a proper fresco. Leonardo da Vinci painted The Last Supper on a dry wall rather than on wet plaster. Because a fresco cannot be modified as the artist works, Leonardo instead chose to seal the stone wall with a layer of pitch, gesso and mastic, then paint onto the sealing layer with tempera. Because of the method used, the piece began to deteriorate a few years after he finished it. Restorations began in the 1700’s and continued for several centuries, much to no avail. Further damage was done to the fresco due to improper restoration attempts. By the late 1970’s, the painting’s appearance had become so badly deteriorated that it was feared the masterpiece would be lost forever. Fortunately, one of the world’s foremost authorities on the conservation of Renaissance frescoes, Pinin Brambilla Barcion, initiated a major 20 year restoration on the fresco in 1978.


The project consisted of permanently stabilizing the painting, and reversing the damage caused by dirt, pollution, and the misguided 18th- and 19th-century restoration attempts. Since it was determined to be impractical to move the painting to a more controlled environment, the refectory was instead converted to a sealed, climate controlled environment. Since 1999, a very elaborate system has been put into effect to preserve the fresco. Only a small group of people are allowed to visit the refectory at a time – and then only for 15 minutes. Before entering the room, you are guided through a series of glass doors (much like entering a bank in Europe). From the outside, the doors open and you are filed into a sealed glassed- in room. After the outside doors close, the inside doors open allowing you to enter the refectory. It is actually really nice to be inside the room with only a few people. It allows you the opportunity to really study the fresco without throngs of people standing in front of it. Everyone gets a great view and you are allowed enough time to appreciate its glory.

The subject of the fresco, a portrayal of the reaction given by each apostle when Jesus tells them that one of them would betray him, has spurred theories and speculations as to what Leonardo Da Vinci was trying to say through his symbolism. One of the major ones deals with the number 3 – the apostles are in groups of 3, there are 3 windows above the table, and the geometric shape of Christ is a triangle. This is believed to be symbolic of the Holy Trinity.


Studying the twelve apostles, we note that they all have different reactions to the news of betrayal and it’s interesting to read into the body language and actions portrayed by each one. It’s fun to pick out all the small details of what the character’s are doing. For instance, Judas is tipping over a salt shaker which may have to do with the Eastern tradition of “betraying the salt” or betraying one’s master.


There are numerous other small gestures throughout the painting that I think make it one of the most interesting pieces of art to study.


The masterpiece has also been the subject of novels and movies.  Most recently, Dan Brown’s famous Da Vinci Code has put forward some more theories (far fetched though they might be) of what Leonardo was trying to say and which make for some interesting further studies of the piece.

Segreti della Mona Lisa


There’s been some talk lately about some “secret” codes that have been found within the Mona Lisa by Leonardo Da Vinci!!  This painting has always had an aura about it, perplexing and captivating historians and artists alike.  It is believed to be the portrait of the wife of a wealthy merchant… or is it a self portrait of the master himself?  It was lost for years in the early part of 20th century, and then discovered under a mattress.  Time after time, the Mona Lisa never ceases to create some kind of news. 

Just recently, an Italian researcher has discovered 3 secret codes embedded in the eyes of the subject, and in the arch of the bridge in the background.   He claims that an “S” is located in the left eye, an “L” in the right eye, and “72” on the arch under the bridge.  These three secret codes are messages which he believes Leonardo Da Vinci put there to give clues to the painting’s model, age, and his own personal religious convictions.  He claims that Leonardo Da Vinci always hid clues in his work…like the “interpretations” of The Last Supper.  His genius was always playing games as evidenced by the backwards writing of his notes. 

These newly found symbols are not visible to the naked eye, and Silvano Vinceti, the researcher, performed his research on highly digitized images of the painting. 

His theories state the following:  The “S” stands for Sforza.  He believes that the model is not Lisa Gherardini, as always believed, but a member of Milan’s Sforza family.  Leonardo Da Vinci was employed under Ludovico Sforza and perhaps this painting was commissioned by him for a member of his family.  This would change the date that the painting was begun. 

The “L” stands for what else but Leonardo himself!!!  How boring….I would think that the great Leonardo would have thought of something a bit more intriguing to authenticate the painting!

And then finally the “72” stands for biblical references.  The “7” is an important number in both Judaic and Christian beliefs…for example, for the Creation!  The number “2” could be related to the duality of male and female. 

It seems to me that all this is open to speculation and interpretation.  If there really were secret symbols imbedded in the painting, what did Leonardo Da Vinci want to say with these?  You can imagine all the theories that will be forthcoming if it becomes indisputable that those symbols are really there. 

In the meantime, if you can get anywhere close to the Mona Lisa in the Louvre (despite all the crowds), you can try to look at all the speculations that this painting has created throughout the years or just purely enjoy that smile which has us all wondering what she is thinking about!

Leda and the Swan


At times, inspiration for blog posts comes to me in very convoluted ways. This one was born out of  curiosity by a book that I am currently reading (Elizabeth Kostova’s The Swan Thieves).  The book has nothing to do with Italy, and therefore its review would not be true to my blog’s theme. But a mention in the book of some paintings created by some of Italy’ masters has inspired some research on my part into these works of art and a reminder that I actually saw one of these masterpieces when it was on tour here in San Jose. The paintings are the renditions of the Greek mythological story of Leda and the Swan. As the legend goes, Zeus appeared to the beautiful Leda and seduced her on the same night that she had made love with her husband. She subsequently became pregnant from both of these unions and gave birth to a pair of human twins and a pair of godly twins that hatched from an egg. The eroticism of this subject inspired many painters to depict it, and Renaissance painters, especially, were taken with the idea of painting this subject.  Since it was frowned upon to depict any kind of human “interaction”, they could express their sensual sides by depicting “non-human” ones!   

One such Italian great was Leonardo Da Vinci. This was the Leda that I saw! Actually it is a copy by one of Leonardo’s students, Cesare Sesto, because the real one was lost (painted over by Leonardo himself, perhaps, to reuse the canvas?)  Too bad, because it is a beauty.  To my perspective,  Leonardo’s depiction does not seem to be erotic at all. The swan seems to be acting like a pet for Leda.  It is looking at her lovingly as any loyal pet would look at it’s owner,  and she is stroking it as if it were a treasured pet. The painting has an aura of innocence to it. Leda seems calm in the swan’s presence, and the swan seems very docile.

Michelangelo, on the other hand, decided to be a bit more adventurous in his interpretation, even though this one doesn’t really show much.  I guess the idea is there, though, with their lips almost touching and her legs sprawled over the swan in a sensuous gesture. 

Many other artists have interpreted this story – beginning with the ancient Greeks and continuing to this day.  It is interesting to note the changes in them as the times change. 

Late Classical Period 350-340 BC

Louis Icart 1934

By the way, The Swan Thieves was a very good book and I can highly recommend it (even though it has nothing Italian about it!!!)

Quick stop in Milan? Here are some ideas…


Castello Sforzesco

If you are stopping in Milan for a few days (or even one day), here is a quickie tour of some of the highlights.   I was only there for about 1 1/2 days but I think I saw the highlights.  Of course, I didn’t delve very deeply into anything, but it whetted my appetite for more when I have the time.  On my own time and not with a tour, I saw the Pinicoteca Brera, Castello Sforzesco, and San Ambrogio.  The Pinicoteca is a great museum – small but full of famous art work.  I got an audio guide and roamed around looking at the art.  They have some Rafael’s and other famous European artists.  The museum is part of an art school so there were lots of students walking around.  But it was uncrowded and I was able to take my time looking around.  

The Castello Sforzesco is an old fortress which has been a home to many nobles from the Renaissance.  It is now a museum (several, in fact).  The interesting things here include a ceiling frescoed by Leonardo Da Vinci and Michelangelo’s last sculpture – an unfinished Pieta.  There are many other things housed here so look at books, etc to see if it’s something that you might want to see.

San Ambrogio is a church constructed in about 300 AD – there are parts of original frescoes on the wall.  San Ambrogio was the patron saint of Milan so this is a special site for the people of Milan.  St. Ambrogio himself is entombed in the crypt underneath the church and many people stop by to pay him homage. 

San Ambrogio

While I was there, I also took a half day organized tour.  This was necessary in order to see Da Vinci’s Last Supper.  It is almost impossible to get in to see it if you are not on a tour.  They only allow about 15 people in to see it at a time and thus not many visitors can see it in one day.  The tour also took me to the Duomo (or cathedral).  You can visit this on your own, but the tour gives you a lot of interesting information about the Duomo.  It is a beautiful Gothic cathedral well worth a visit.  Near the Duomo is the Galleria Vittorio Emmanule (another tour stop).  And finally the tour went to the Teatro La Scala.  This is a very famous opera house where all the great operas have taken place for the last few hundred years.  If you are into opera, you might want to see if something is playing when you are there.  I’ve heard that the acoustics of the opera house are incredible.  I can highly recommend this half day tour.  I just called the concierge at my hotel and told him that I wanted to see the Last Supper and he went from there.  I’m not big on organized tours but this one was very good.  And it was only 1/2 day so it was perfect to get a glimpse of the city.  

Milan has a very good Metro system.  You can get to practically every place with it and it is very easy to navigate.  You can purchase your tickets directly from the kiosks located in the metro stations.  I find it’s easier to get them from a person rather than trying to figure out the ticket machines.  When I was there, it was 1 euro per ride.  You might also be able to buy day passes.

Walking is a great way to get around.  Many of the main attractions are within walking distance of each other.  Just make sure you wear comfortable shoes!!